![]() “The writers, producers and directors could see them and they moved them around,” says Kate Biscoe, the makeup artist assigned to Adams. A mannequin was brought in and Morot stuck all the words on the dummy. Morot spread the clear wrap, containing some 400 words, on the floor of the makeup trailer and cut them out. Once she was covered in words, we wrapped her body in Saran wrap so we could see the words through the plastic, and traced the words on the Saran wrap.” I wanted it to look as if she were writing those words on herself. “She needed to write on her right forearm with her left hand. “With a marker I had her write the words on her body,” Morot says. Morot discussed with director Jean-Marc Vallee what size the letters should be for the audience to read them and then hired a test model the same height as Adams (five-feet-four). The words on Camille’s body were compiled from the Gillian Flynn novel and from the show’s scripts. head Adrien Morot (“X-Men: Days of Future Past”) worked around the clock to make Adams look like the walking wounded. Her mother called Camille “ruined” and she hid in the fitting room, letting out a scream.Īn amazingly meticulous team headed by Makeup FX Dept. In subsequent episodes, we caught disturbing glimpses of words carved on her torso, and on Sunday night’s episode we got the full monty - and it was a horror show.Ĭamille emerged from a dress shop fitting room in her bra and panties and showed her mother, Adora (Patricia Clarkson), and younger sister Amma (Eliza Scanlen), that her entire body was covered with scars from a lifetime of cutting. The word appeared on her forearm at the end of the episode, as Camille bathed and rested her arm on the rim of the tub. The first word we saw carved on the body of alcoholic reporter Camille Preaker (Amy Adams) in HBO’s “Sharp Objects” was VANISH, at the end of Episode 1. Warning: This story contains spoilers from Sunday’s episode of “Sharp Objects.”
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